rick wade say: four new dynamite tracks ready to clear up all this confusion on what deep really means. i call this release, defining deep. so there you go... tip!

commodity place project is back with two masterful compositions wrapped in a special colorful ep. the duo composed by roman musicians massimiliano loretucci (computer and synths) and riccardo frosoni (guitar and percussions) has set two amazing tracks letting the mind and body to travel far away till the most unreachable and undefined horizons of psychedelic music. on side a, >multifrequency behaviour of high energy cosmic sources< develops an intense journey into a nebulous space dimension where a wide range of fluffy cosmic echoes are stratified and stretched to the infinity, while human perception is totally kidnapped by ancestral voice effects. straight to the unknown ambient paradise. the endless 12 minutes of >ahura mazda< fill entirely the b side. a melodic start up loop on a mild 4/4 downtempo pace prepares the well coming of an outstanding solo guitar excursion with some psy-synths on background for a piece of music that we can literally define as an extraordinary psychedelic / krautrock symphony. so, now you are in. but remember: over the mystic mountains another earth could be found.

e-issue zweier verlorengeglaubter lps dieser formidablen live-band der funk-, soul- und disco-ära der späten 70er. ltd auf 500 lps, gatefold, sleeve notes , studiosession pictures, incl cd & dl-link

fathers & sons is back with the first part of fas007. vinyl only release, limited copies. 1 per customer

nach drei vielgelobten eps auf 20:20 vision veröffentlicht john clark aka debukas nun auch sein debütalbum auf dem label. i am machinery ist ein gelungenes elektronisches clubwerk zwischen house und techno geworden, das weitere lobeshymnen hervorrufen wird.

klamauk 005 various artists release is coming with tracks from roman rauch in collaboration with his mate philta, spontanmusik head keinzweiter, tom ellis and florence based the clover. roman rauch, well known for his releases on philpot, tenderpark or quintessentials brings us with >gino< a slow and deep housebanger with a smooth bassline that unfolds into some vibes and funky monosynth jamming for a simultaneously laid back and upbeat experience. keinzweiter – >the stomp< is a laid back discoslammer, getting richer in sound untill the break where the strings come all down and make the track to a little symphony. tom ellis created with >got your back< a big groovemonster, wobbling in deep territories and shuffled percussions. closing it out, we have the clover with their track >whitening the cell<. a live played bassline, setting the stage for some expansive background synth work in the second half with some cutted microhouse elements. limited and numbered vinyls.

rondenion is a japanese dj and producer. his link with music started working as a recording artist in the late 90s. under the name hirofumi goto, his released his debut ep *ameria*. it drew attention for its dark atmosphere, and was played by international figures of the electronic scene such as derrick may. he changed his name to rondenion as a tribute to chicago and detroit. not so long later, he released his *love bound ep* on the respected rush hour records. it reached the top sales chart position on the rushhour store, and rondenion began to make himself known within the european scene. in 2012, he co-founded ragrange symphony, alongside no milk and kez ym. kicks kicks is a young graphist, dj and producer based in france. his passion for skateboarding lead him to discover all the 90s deep house/garage scene such as kerry chandler through skateboard videotapes. his debut set happened in bordeaux a few years ago alongside nicholas & larcier. he is an analog freak and started producing his first tracks in 2013 which will finally be out on cracki records.

hirofumi goto aka rondenion made his debut releases on still music back in 2005. shortly after, he released a streak of detroit infused house 12 on rushhour, aesthetic audio and more to great critical acclaim. a dj and producer born in japan. he began working as a recording artist in the late 90s under the name hirofumi goto, and released his global debut, >ameria ep<. it drew attention for its dark beats, unusual for a japanese artist, and was played by top djs like derrik may. he changed his name to rondenion to show respect to chicago and detroit, and began working on an overseas release. ultimately, his love bound ep was released by major labels such as >rush hour< and became a big hit. it reached the top on the rushhourstore sales chart, and became popular in europe. in 2012 he formed >ragrange symphony< with his old friends no milk and kez ym, and he is currently working on a number of projects for his own record label, >ragrange records<.after being approached by roundabout sounds for a remix, discussions shortly after were directed towards a plan for releasing rondenions debut album on both vinyl (roundabout sounds) and digital (plug research). the result is the luster grand hotel debut album, ready to drop in september 2013. luster grand hotel is the most accomplished project from rondenion, an absolute blend of detroit and chicago house, reminiscent of the music from moodymann, theo parrish and rick wilhite. a must have for any real house music fans.

lph whites second offering picks up where the first one, by waze & odyssey, left us. that 12inch featured a remix by london-by-way-of southern-california house up-and-comer, urulu, who produced all four of the tracks included on this ep. left coast is an ode to taylor freels home turf, but dont think its all blissed-out balearic burners one might listen to while rolling down a palm tree-lined stretch of the pacific coast highway. every one of the four songs is a cranked-up, high-octane, peak-hour monster

following the success of factors compilations chandelier and lawson graham, the beatsmith embarked on a concept record in the vein of a prince among thieves and wound up with the melodic, complex symphony of woke up alone, mixed by factor himself at his home studio and featuring roles played by ceschi, open mike eagle, onry ozzborn, myka 9 and astronautalis. factors relatable allegory, scored by swirling synths, samples and live instrumentation, extends well beyond necromancy, as multitudes upon multitudes have gazed haphazardly in the rear view mirror and tried to resuscitate that which is irreparably gone.
code for free download of the full album included.

cocoon recordings celebrates the 100th release! incl. 3 x vinyl + 2xcd + ein paar exklusive slipmats! well, to be honest, we are even over in the 100 meanwhile as our anniversary release needed some time to get well prepared and to make sure it will be a very special one.

st. louis soul trifft auf die los angeles beat scene. der spirtuelle r&b-sänger coultrain ist von künstlern wie lonnie liston smith, patrice rushen, miles davis und stevie wonder beeinflusst. sein selbstveröffentlichtes debütalbum wurde auf webseiten wie the roots okayplayer.com gefeiert. er hat sich durch gastauftritte bei künstlern wie sureshot symphony solution (nature sounds), hawthorne headhunters (plug research) und platinum pied pipers (ubiquity) einen namen gemacht. sein album mit detroit-produzent waajeed ist bislang leider nie erschienen. nun folgt mit jungle mumbo jumbo sein zweites studioalbum. für fans von bilal, platinum pied pipers und dj spinna!

after the unanimous global acclaim of glass eights (dial lp 22), john roberts returns with fences, his second full length offering on hamburgs dial records. from elegantly dusted chamber pop and semi-psychedelic acoustic musings to turgid orchestral dance floor fillers, roberts creates a beautifully collaged symphony of recorded violins, cellos, cracked guitars, detuned pianos, faded samples, broken drum machines and manipulated answering machine cassettes.

cocoon recordings is back in full force with the follow up to last years superb vinyl compilation >dots & pearls< providing a tracklisting that is nothing less than the modern interpretation of house, techno and tech-house >dots & pearls< ii eschews monotonous loops and predictable formulas and rather delivers a selection packed with energy and depth.

an italian based dj & producer & current man-of-the-moment, who is deeply in love with his old synths & drum machines. releases on aesthetic audio, skylax, l.i.e.s., balance, mathmatics, echovolt, thug, traveller, on the prowl, have him all set up.

the one and only disco nihilist is moving forward.mike taylors second ep for running back is turning the curve ball of the first into a wild pitch (if baseball metaphors are your thing). 4 tracks across the disco nihilist spectrum: the rare cheerfulness of house rent boogie is backed up with a classic and no-nonsense rz-1 beat symphony that is aptly titled beatdown drums,while the flip presents the masked mania of film grain and some grumpy grittiness with operator select. mastered and cut in the us of a by legendary engineer mark richardson at prairie cat.

for the 5 years of legotek weve decided to dedicate this release to our global connection. in this release you will find 3 different artists that each hail from different locations, plus a great remix by detroits own rick wade:a1: ari frank - what im gonna do

lunar eclipse is black, dark and deep.its the moon behind the sun. rvds makes another tribute to the tb-303, black vinyl and detroit techno with three tracks: noises in black (vinyl only track) is a symphony,12 minutes of noise, acid and synths,the deep strings in black with heartbreaking chords and finally lunar eclipse,a kind of deep synth-jazz track. limited to 303 stamped and hand-numbered vinyl!since 2005 rvds is a resident dj at the golden pudel club in hamburg. he made support for kyle hall, scott grooves and anthony shakir, which express the love to detroit music. 2011 its realized his debut album “moments with the hit pain, after that came the famous acid moon ep and the label laid realized the famous moon oddity.

with the wait almost over for jamie jones second artist album >tracks from the crypt< crosstown rebels get set to drop the absolutely massive single >our time in liberty< featuring cult dance outfit art department. a bassline symphony for the senses, this elusive slayer of dancefloors, is finally getting a release alongside a heavy-duty remix from comrade russ yallop.

limited reissue of this highly sought-after krautrock masterpiece from german musical genius richard schneider jr. also featuring the mighty wolfgang maus on bass, this lp takes you on an amazing journey through luscious pulsating psychedelic soundscapes providing a great showcase for mr schneiders exceptional skills on a huge range of instruments including glockenspiel, acoustic 12 string guitar, synthesiser, tubular bells, tambourine and cowbells. includes the crazily ethereal high the wonderful hello beach girls which sounds like the best beach trip ever - meaningless giggling lyrics on a lazy day in a paradise the gorgeous acid-tinged visions the more up-tempo groover samba session plus the achingly beautiful synth symphony crazy world. one of the super-rare cosmic/balearic holy grails, this whole album is a pure aural treat - lie back and enjoy the ride

montreal-native tazz delivers new kanada three jacking and psychotic beat trax for an aggressive entry into 2012. tazz and bacanito unravel the threads of aggression in the lead cut >cosmic sex<. metallic heavy machine funk for those winter nights. >wanderer< is a late night ode to model 500, with waves of synths burrowing into the ground to produce a dark wave classic. cold, pure and supple. >mermaids and mermen< is is the tough club killer in the package. a deep tricky dub transforms into an underwater symphony of rusted hooks and fm pads… a serious lights out, head down burner.

nice price deal !!! heres something for you! pirahnahead revisits and finally releases this lost gem of a track from the detroit legend alton miller. this release entitled something 4 u (from alton millers stories from bohemia lp) is a remix which has been in the vault since 2003. in this package is the original 2003 mix and an updated touch on the cut for 2012. alton millers vocal is full of soul and feeling, and soars in the track as he delivers this powerful message. also featured is the wonderful cecilia c.sharpe (detroit symphony civic orchestra / urban stringz) on cellos, lending an extra warmth to the dancefloor vibe. live instruments, deep beats, hot vocal. not to be missed.

clement meyer now joins correspondant, and with a nod to his parisian roots he enters our label with techno to be reckoned with. just listen to the first half of >sweet insanity<, and you will begin to appreciate his dark style as much as we do. abe duque, who we have invited to remix >sweet insanity< has been at the head of the acid-house and underground-techno table since his earliest releases way back in 1993. from muscular and melodic techno to cocktail jazz and ambient interludes, his early tracks on his own labels tension and hollis haus included releases under pseudonyms like kirilan and super secret symphony, plus his releases on others labels like disko b, rapture!, morbid, and tresor captured a particular period of clubbing history. the second part of duque s career was a run of increasingly massive 12 inch hits like champagne days, cocaine nights, acid, disco nights, and in 2004 his monster smash with blake baxter >what happened?<. his signature is now stamped across productions from top acts like chemical brothers, pet shop boys, and miss kitten, and has become a regular on dj hells gigolo label. the highlight of this period, though, was his first album >so underground it hurts<. it was undeniably a techno event, and that is exactly what he comes with today, a mind bending techno remix of >sweet insanity<. we hope you like it!

just close your eyes and listen to these three lush compositions, while your imagination paints brilliant abstract visuals deep in the alleys of your mind. keeping consistent with the previous ten aesthetic audio releases, the formula for this new gem remains an uncompromising plethora of very raw substance, innovation, and timeless music that will clearly stand on it own amongst deep dance aficionados across the globe. deep roots: begins this journey with this intense and twisted deep banger that is simply a dancers dream. thumping drums and melodic string arrangements get things jumping as you are very quickly taken to your special place. the dark symphony: is a sinister and grimy yet gorgeous piece of work all at the same time. lush chords and dark electronic sculptures spark an imaginary sense of euphoria as the art of dance holds your body ransom. climates: captures the sheer art and raw essence of deep underground dance. this dark beauty continues to build until your body renders itself to the rhythm, and then ultimately it fades … leaving a beautiful memory on the canvass in your mind.

its a lonely business, bringing the piano into the 21st century.
barcelona-based francesco tristano is establishing himself as one of the most original and eclectic musicians of his generation. trained as a classical pianist and having recorded a number of classical albums, francesco broke new ground with >not for piano<, the album that launched the french label infine in 2007, containing his compositions as well as acclaimed piano versions of detroit techno classics of >strings of life< and >the bells<. francesco teamed up with detroits own carl craig for a remix of >the melody<, and, subsequently, project versus (featuring symphony orchestra and moritz von oswald) as well as the legendary innerzone orchestra (as pianist, keyboardist and arranger).>idiosynkrasia<, francescos latest album on if, was recorded and mixed at planet-e communications detroit.
comes with code for free mp3 download.

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

thomas fehlmann is integral to kompakt and the labels history. his solo releases and collaborative work with alex patterson as the orb have been some of the kompakts most revered and cherished tunes. following the success of his 2010 full length gute luft (a collection of re-edited versions from his score to the hit documentary 24hr berlin), we start 2011 off with titan one / dfm. on october 16, 2010 thomas fehlmann performed in montreal, canada at the historic molson coors brewery building together with members of the montreal symphony orchestra (osm). together they sought to recreate a version of gustav mahlers classic symphony no. 1 (titan). kompakt is proud to now offer a new recording inspired by that epic concert of symphonic and electronic with a new recording inspired from that performance – renamed as titan one. the hum of cellos and strings conjoin fehlmanns electronics – held together by the sublime, unobtrusive thump of a bass drum. titan one flows with a beauty and edacity that is rarely heard in both classical and electronic music form. the b-side features a new recording inspired from the second piece of the performance - a new version of thomas fehlmanns du fehlst mir from his 2006 kompakt full length visions of blah. reanimated as dfm, the piece again conjoins the different musical worlds in a way we have never heard to such a high standard. a much more upbeat affair than to titan one (of course) bass and keyboards mingle with the symphony the playfulness of the original song rolls throughout dfm. whether as palais schaumberg, the orb, or 3mb (to name only a few alias). fehlmann may have 3 decades of professional recordings under his belt but he continues to prove to the world as being one of the most fascinating and creatively open musicians in his field. this release clearly proves his story is far from over.

dj roc, known to his mother as clarence johnson, was born and raised on the southside of chicago better known as the low end. the crack in >crack capone< refers to his style of production. like an underground chemist, dj roc produces variant strains of chicago juke music, the crack referring to the synapse snapping, potentially ankle cracking manipulation of rhythms and the sampling, hijacking and ultra-rhythmic micro-editing of black american pops dominant forms into a style thats been developed and tested on the streets of chicago.

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future – its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

>france 2< deservedly takes the headline-grabbing attention-seeking lead track position: pure mediterranean melodrama with a bold approach to gut-wrenching operatic melody that vangelis himself would be proud of. on a further anthemic tip comes the atonal melancholic vocal symphony of >voci giaga<, whose delicately constructed layers of harmonic voices build up to form something very special indeed. >h2< meanwhile is an exuberant explosion of arpeggios underpinned by an insistent analogue club groove, whilst to finish, the heady, disorientating >oceano< promises to be a key component of many a dj journey over the coming months, leaving your faithful disciples just-the-right-kind-of-lost within the cosy dancefloor bubble. already homegrown heroes in the club scene of their native italy, with the >france 2 ep< the time has come for margots 21st century krautrock message to reach out across the rest of the world.

second of 3 volumes taken from the incredibly rare japan only cd release inner films 70 from 2009. the sketch is simple, modern dance artists take on seminal film scores from the 70s and give them a twist. kicking of with maurice fultons eerie and quite frankly disturbed version of jaws (main title), next shigeru tanabu takes on star wars! on the b side brisha steers ninth symphony… (from clockwork orange) into deep techno territory, while finally godfather (love film) gets a deep paddy house overhaul by yukihiro fukutomi (mule musiq).

wave music presents its newest release under the milk & honey moniker with additional production by boyd jarvis. the original long version is a beautifully drawn out symphony of strings and jazzy keys over a sultry downbeat and lazy vocoded vocals. consider this gold for fans of 4 hero and all lounge-core/downtempo fanatics. the flip however is boyd jarvis uptempo dance floor phenomenon. inserting a heavy and pumping bass line and adding xylophone arpegios alongside congas, organ synth and space atmospherics make for one wild galactic journey. think kevin yost remixed by salt city orchestra and you are right on target. slamming!

12 funky latin, disco and jazz influenced house tracks, compiled by claudio coccoluto for mixmag.

a very tasty summer sampler from joey negro includes new tracks from ac soul symphony & akabu

includes an amazing remix by nitrogenetics! only 300 copies pressed, so dont miss this one!

support: chris liebing, len faki, the advent, marco bailey, technasia, laurent garnier, steve rachmad, brian sanhaji, tino boa, secret cinema, adam beyer, joel mull, hardcell...

ultraphat big room summer anthem!!

mini lp by arcanoid on black vinyl, limited to 100 copies with handmade details.

loco & jam are northern irish based techno duo, lloyd reid and james peoples. now its time for their brand new ep on marco baileys mb elektronics label. >roundhouse< builds up slow with a nice deep bass but turns into a big room techno track before you know it! the second track is a splendid remix of >roundhouse< by ascion & d. carbone. what the funk! this track has such a nice groove and will fit in a variety of record-bags. on the b-side you will find the uplifting track >3d symphony<. this track will surprise you again and again: so many things are happening here. peak time slamming techno destroyer!

sometimes things get complicated and a groove becomes a symphony. but sometimes, all we need is the groove. venturing back to how it all started, octave one begins a new chapter, 20 years after their introduction to the electronic music world. connecting to their origins on derrick mays legendary label, octave one pay homage to their transmat catalog number with the launch of a new limited series and label, ms10. returning to basics, ms10 brings the burden brothers home to how they started it all, minus the hype and >back to the essence of the groove<. this special series begins march 2010...

amazing! 1 track - 3 different versions. fantastic release by mr. nice guy toby dreher, a part of dreher and sm.art. with the original he delivers a fabulous symphony. agaric (raum/treibstoff/liebe*detail) builds up a wicked house tool and the greek import and.id (mobilee/ware) rocks our headphones with his slammin reinterpretation.
supported by: dj emerson, dj sneak, gregor tresher, karotte, benno blome, butane, mark henning, markus kavka, gunnar stiller, hot chip .....

welcome to pop electronique, courtesy of ninca leece. having, in recent years, played clubs and festivals all over the world, writing soundtracks or collaborating with fellow musicians, the french vocalist, who now lives in berlin, has finally got around to completing her debut solo album, which she has been working on whenever she found a free moment.

the beekeepers are the latest signing to the j funk family joining kraak & smaak, skeewiff, smoove & turrell, dr rubberfunk, soopasoul, max sedgley and all good funk alliance on the jalapeno roster. with stable mates like that there was only one way the bee funk ep was gonna go - a mixture of upfront party breakbeat hip hop and one of the most beautifully widescreen ambient breakbeat tracks since clubbed to death.

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

sons of the dragon debuted last year on a mysterious white vinyl double out of detroit, they awake again to bring us >the journey of qui niu< and cast their firey wrath. the cv313 rework plays off the original version but adds a low end throb so deep it could shake the heavens, a rhythmic shuffle which begs you to move and a hypnotizing symphony of lo fi sonic destruction, its totally menacing. the new sqx project debuts with a killer, taking a different approach to the original, they use the synthesized textures as warm sonic fragments. its as if they were building a sonic puzzle but changing all the pieces around while assembling, leaving us with a rhythmic synth workout of the highest order, for your mind or the floor. a destined to be classic, do not miss

max cooper s >symphonica< ep is based on the combination of the natural imperfection that yields the audible richness of real sound sources such as that of an orchestral symphony, and the mathematical precision such as that used in the synthesis of electronic music for recordings. his 3 tracks plus remixes by perc and marco dassi follow this concept with the melodic and baroque a side >symphonica<.

sons of the dragon debuted last year on a mysterious white vinyl double out of detroit, they awake again to bring us >the journey of qui niu< and cast their firey wrath. the cv313 rework plays off the original version but adds a low end throb so deep it could shake the heavens, a rhythmic shuffle which begs you to move and a hypnotizing symphony of lo fi sonic destruction, its totally menacing. the new sqx project debuts with a killer, taking a different approach to the original, they use the synthesized textures as warm sonic fragments. its as if they were building a sonic puzzle but changing all the pieces around while assembling, leaving us with a rhythmic synth workout of the highest order, for your mind or the floor. a destined to be classic, do not miss

yapaccs new masterpiece goes epic and tells you an existentialist story about rigid contemplation and mass euphoria, providing dem glamorous drumrolls a comeback long overdue and keeping his shit most generally together while setting up enough traps to become entangled in karma of battlefield? comes in an elegic, postapocalyptic disguise just to surprise with siren chants and cutting edge chimes. its a groundbreaking piece of music, just as his sibling conga de terre? which loosens its high end percussions with a well dosed infusion of bittersweet symphony and proves that beefy barbarians have feelings too. in the heat of the battle yapacc lives up to the promise, thats why we love him, and thats why we release him too.